The influence of Impressionism and its subsequent iterations had a dynamic impact on the course of British and Irish art in the early 20th century. The call to colour and light is seen in major works by Philip Wilson Steer, Stanhope Forbes, Alfred Munnings, Laura Knight and William Leech. Concurrently, a 1917 still-life by Mark Gertler shows the artist respond to the formal innovations of Cezanne, while a Camden Town interior by Spencer Gore connects the artist to the Parisian avant-garde via Walter Sickert.
The exhibition will be a unique opportunity to encounter rare examples by leading British and French painters, charting a journey and dialogue from the 18th century to the turn of the 20th.
Consigned from private collections, these masterpieces embody not just individual achievement but also the remarkable collectors who have preserved them, often across generations.