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Legends of Sound & Vision: Online

Forthcoming exhibition
Open a larger version of the following image in a popup: Storm Thorgerson, PINK FLOYD - DARK SIDE OF THE MOON
Open a larger version of the following image in a popup: Storm Thorgerson, PINK FLOYD - DARK SIDE OF THE MOON
Open a larger version of the following image in a popup: Storm Thorgerson, PINK FLOYD - DARK SIDE OF THE MOON
Open a larger version of the following image in a popup: Storm Thorgerson, PINK FLOYD - DARK SIDE OF THE MOON

Storm Thorgerson

PINK FLOYD - DARK SIDE OF THE MOON
Print
Image: H. 53.5 cm. x W. 52 cm.
Framed: H. 94 cm. x W. 74 cm. x D. 2 cm.
99/295
Signed by Storm Thorgerson and numbered 99/295
WB2604
Copyright The Artist
£ 12,000.00
Enquire
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Further images

  • (View a larger image of thumbnail 1 ) Jo Lopez, BRUCE SPRINGSTEEN - DREAM TOUR 2009
  • (View a larger image of thumbnail 2 ) Jo Lopez, BRUCE SPRINGSTEEN - DREAM TOUR 2009
  • (View a larger image of thumbnail 3 ) Jo Lopez, BRUCE SPRINGSTEEN - DREAM TOUR 2009
  • (View a larger image of thumbnail 4 ) Jo Lopez, BRUCE SPRINGSTEEN - DREAM TOUR 2009
The Dark Side of the Moon silkscreen print was produced in an edition of 295 by the Hipgnosis founding team of Storm Thorgerson and Aubrey Powell. The idea to revisit...
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The Dark Side of the Moon silkscreen print was produced in an edition of 295 by the Hipgnosis founding team of Storm Thorgerson and Aubrey Powell. The idea to revisit album cover artwork for publication as original, limited edition prints came from Storm Thorgerson in 2000. He had amassed a huge body of work from forty years of creating iconic covers and wanted it to be seen in fuller glory. Storm and his Hipgnosis partner Aubrey Powell (Po) worked towards producing prints from twelve Pink Flovd covers and The Dark Side of the Moon was obviously a prime candidate for inclusion. Arguably one of the best known album covers in the world, it was ideal for silkscreen with its flat black background and vibrant spectrum of colours. George Hardie did the illustration, back in 1973, when he was working with the Hipgnosis studio on the original cover design. Storm Thorgerson recalled, "The design is simplv a mechanical tint lay, which means we drew outline shapes, black on white, and indicated what colours were to appear when printed. The prisms were airbrushed black on white and reversed on the printer. The idea itself was cunningly cobbled from a standard physics textbook, which illustrated light passing through a prism. Of significance was the simple, elegant layout against black - standard textbook illustrations did not do this. And then to connect this idea to their live show, which was famous for its lighting, and subsequently to connect this to ambition and madness, themes Roger was exploring in the lyrics; hence the prism, the triangle and the pyramids. It all connects, somehow, somewhere"

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