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Henry Orlik: Cosmos of Dreams Part Two: Marlborough

Past exhibition
23 August - 17 September 2024
Open a larger version of the following image in a popup: Henry Orlik, RUINS
Open a larger version of the following image in a popup: Henry Orlik, RUINS
Open a larger version of the following image in a popup: Henry Orlik, RUINS
Open a larger version of the following image in a popup: Henry Orlik, RUINS
Open a larger version of the following image in a popup: Henry Orlik, RUINS

Henry Orlik b. 1947

RUINS
Acrylic on canvas
With artist's stamp verso
Image: H. 91 cm. x W. 63 cm., H. 35¼ in. x W. 24¾ in.
Framed: H. 97.5 cm. x W. 70 cm., H. 38 in. x W. 27½ in.
WB1644
Please note that every work in this sale comes as seen. All works have been with Henry Orlik for many years and some may require conservation. If you would like more information regarding the condition of a specific work, please contact us directly enquiries@winsorbirch.com + 44 (0) 1672 511058
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Further images

  • (View a larger image of thumbnail 1 ) Henry Orlik, TIME
  • (View a larger image of thumbnail 2 ) Henry Orlik, TIME
  • (View a larger image of thumbnail 3 ) Henry Orlik, TIME
  • (View a larger image of thumbnail 4 ) Henry Orlik, TIME
  • (View a larger image of thumbnail 5 ) Henry Orlik, TIME
In Arches, Orlik depicts a tall, architectural structure with a lofty main arch with progressively lower arches cascading down its side; pink and yellow light gently suffuses and graduates down...
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In Arches, Orlik depicts a tall, architectural structure with a lofty main arch with progressively lower arches cascading down its side; pink and yellow light gently suffuses and graduates down on the curved sides of the building. The interior of the arches is punctuated by a further steady rhythm of arches and shafts of light are created by a gap running along the top of the central arch - so that the two sides don’t seem to connect and other piercings create a pattern of light and dark. Inside the arches, brown leaf-less branches rise up like the interior workings (arteries and veins) of a body. Threads hang down from the arches reaching to the outside as if the building could be scaled. Orlik employs a soft palette of gentle colouration and harmonious earth tones which gives the painting a serene quality.

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