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    Open a larger version of the following image in a popup: Henry Orlik, SURREAL LANDSCAPE
    Open a larger version of the following image in a popup: Henry Orlik, SURREAL LANDSCAPE
    Open a larger version of the following image in a popup: Henry Orlik, SURREAL LANDSCAPE
    Open a larger version of the following image in a popup: Henry Orlik, SURREAL LANDSCAPE
    Open a larger version of the following image in a popup: Henry Orlik, SURREAL LANDSCAPE
    Open a larger version of the following image in a popup: Henry Orlik, SURREAL LANDSCAPE
    Open a larger version of the following image in a popup: Henry Orlik, SURREAL LANDSCAPE
    Open a larger version of the following image in a popup: Henry Orlik, SURREAL LANDSCAPE

    Henry Orlik b. 1947

    SURREAL LANDSCAPE
    Acrylic on canvas
    Image H. 104 cm. x W. 78.5 cm., H. 41 in. x W. 31 in.
    Framed H. 110 cm. x W. 85 cm., H. 43 1/4 in. x W. 33 1/2 in.
    With artist's stamp verso
    WB1525
    Note: If you are interested in acquiring a work by Henry Orlik, please contact our team to discuss further options.
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    Further images

    • (View a larger image of thumbnail 1 ) Henry Orlik, ESCAPE II
    • (View a larger image of thumbnail 2 ) Henry Orlik, ESCAPE II
    • (View a larger image of thumbnail 3 ) Henry Orlik, ESCAPE II
    • (View a larger image of thumbnail 4 ) Henry Orlik, ESCAPE II
    • (View a larger image of thumbnail 5 ) Henry Orlik, ESCAPE II
    • (View a larger image of thumbnail 6 ) Henry Orlik, ESCAPE II
    • (View a larger image of thumbnail 7 ) Henry Orlik, ESCAPE II
    • (View a larger image of thumbnail 8 ) Henry Orlik, ESCAPE II

    Orlik seems to create his version of Hieronymous Bosch’s Garden of Earthly Delights (1490-1510, Museo del Prado, Madrid) in which he employs a similar, although more muted, colour scheme of washed-out lime green and pinks. He organises an unearthly, nightmarish, toy-like garden, an exaggerated, strange fantasy, in which he uses child-, clown- and circus-like imagery. The garden is walled in like a flimsy, barbed fortress (like an old Wild West fort) on the left and at the back of the painting, the garden is enclosed by a crocheted fence, penetrated by an archway with a threadbare knitted gate covering the entrance. The barbed wall suggests that it is for keeping the inhabitants in rather than others out and the insubstantial crocheted wall suggests it would be easy to break-out, if anyone realised or chose to. Above the scene, geometric polystyrene clouds hang in the sky. The garden, like a macabre children’s play-area, is filled with strange, almost-recognisable, oddly-sized shapes. Objects that should be small are large and larger objects small. At the left side of the painting the flimsy wall creates a long shadow; at the front, in the shadows, steps lead down into the darkness of arched tunnels, dungeon or crypt. A bunch of wrapped flowers, which is, in fact, one rose lies like a cornucopia at the front of the painting, its twisted end appears to be a white-gloved clown’s hand which proffers a flower with two leaves, perhaps an offering to whatever will emerge from below. By the giant rose is a giant Venus-flytrap, which is also an eye with long luxurious eyelashes; to the side two green conical figures seem to entwine or wrestle, like horns intertwined; a decapitated octopus with seven and a half legs sits next to a small pond with an open shell and small shark fin in it; behind this is another green figure which is also a jester’s hat with a pink ball for its bell and further pink balls on its torso; three thin watermelon slices lie to the side; there are steps, a row of conical trees with a theatrical circus-tent flap entrance way and a green wall and arched bridge made seemingly from toy bricks, with a river running beneath the bridge.

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    Note: If you are interested in acquiring a work by Henry Orlik, please contact our team to discuss further options.
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